Peaceful Spirit Flutes
  • Home
    • The Peaceful Spirit Flutes Story
    • About Terry Mack
    • Contact
    • Blog
  • Lessons
    • First Steps With Your Native American Flute
    • Flute Playshops
    • Qualifications
    • Playing Exercises
    • Terry's Videos
  • Buy Flutes
    • Sales Events
    • Flute Bags
  • Resources
    • Flute Circles - Canada
    • Articles >
      • By Terry Mack >
        • Sculpting and Shaping Sound
        • Playing Through The Noise
        • Honouring Your Song
        • The Call of the Flute
        • It Begins With A Sound
        • Questions to ask a flute instructor
        • Don't Die With Your Music Still Inside You
    • Newsletter >
      • Previous Editions
    • For Players
    • Basic Scales
    • Developing your playing
    • Links
    • The Creative Process >
      • Musical Bill of Rights
      • Assignment
  • Music
    • Terry's Musical Journey
    • Terry Mack, The Wind Weaver
    • Inspiration >
      • Sources of Inspiration
  • Blog
  • Choosing Your First Flute
  • Untitled

Flutes and connections - Terry Mack

8/19/2018

0 Comments

 
As owner of Peaceful Spirit Flutes and having sold over 1000 flutes, I have witnessed many amazing stories from the people I meet. I have begun to understand the powerful call of the flutes, The flute being discussed in the video below took an amazing journey before arriving in the hands of Lucy, It started when I ordered a test flute from a maker in Missouri. It was a purpleheart F#. I liked it and had planned on keeping it for myself however I did want to find out how people would respond to this flute, I took it to a market in Sydney, BC, That night, Lucy visited my booth and after a great deal of deliberation chose that flute to purchase. It made its way from Missouri to Nanaimo where it was to connect with the person from Salt Lake City Utah. I believe that she was meant to be the owner of that lovely flute. It is one of the experiences that taught me that I am a connector of flutes to people who are answering the call of the flutes.  

The story below also has a few more interesting details so I encourage you to take a few minutes to watch the story unfold. It includes more information about Lucy's journey as she describes how the flute helped her breath through a challenging injury.

​
0 Comments

Breath and Inspiration

8/14/2018

0 Comments

 
Picture
Breath and Inspiration by Terry Mack
 
A Native American flute is but a simple hollowed out wooden tube with a hole to blow into, 6 holes to cover and a little wooden block sitting atop the flute. With your fingers and your breath, you can create magical sounds releasing the music that comes from your own soul.

Just the feeling of a beautiful flute in your hand inspires you to want to play wonderful sounds with it. And if you are like me, you want to do that right away. Slow down for a minute. Playing the flute involves connecting with your breath while mastering the art of covering and uncovering the holes producing sound that you find pleasing.

A first-time flute player with no other wind instrument playing experience (and even a few who have played other types of wind instruments) pick up the flute and randomly cover and uncover the holes trying to find out how the flute makes sound. This produces wildly random and often dissonant sounds.  Anytime you pick up a flute, cover holes and blow into it you are playing the flute. The flute is making the sounds you are asking it to make with your finger movements and your breath. They are just not the melodious sounds that you want to hear yet.  These are the sounds that you can learn to control with practice, once you have spent time getting to know your flute.


Inspiration!.
To breathe in!
To animate or take action.
Your breath inspires the flute to sound. Your breathe inspires you to be present and aware of how it impacts the sounds you and the flute will create.
In approaching your flute, remember your breath.
Before playing, breathe in and breathe out a few times to slow yourself down and release the tension of the moment. Let the breathing open you to your inner spirit.
Move your fingers slowly over the holes, letting the sounds you are producing with your breath catch up to the fingering the holes of the flute, so the sound can be heard.
Take your time and get to know how your breath, covering the holes and producing the sounds feels. Let yourself connect to that process and soon your will find your way into your own beautiful sound through the flute.
One of the best ways to create good sounds on your flute is to simply go slowly and play each note for at least a count of ten. This lets you begin to hear the subtleties and variations that can happen in playing each note and how your breathing can impact the sound.
A hand crafted Native American Flute is a wonderful combination of the spirit of the tree, the spirit of the maker and your spirit as the player. The tree has taken time to grow. The flute maker honors the wood and the tree taking time to carefully construct the flute. And now you as a flute player, can honor the flute with your breath, creating and sending forth a beautifully interconnected exhalation of sounds --- the breath of life. I love to think of it as capturing the mysterious.

Terry Mack, Copyright, 2018

 

0 Comments

    Author

    Terry Mack, owner of Peaceful Spirit Flutes is a natural and intuitive player of the Native American Style Flute. Since 2006 she has been connecting people to these flutes and helping you to free the music in your soul.

    Picture

    Archives

    February 2022
    May 2021
    April 2021
    February 2020
    September 2018
    August 2018
    July 2018
    December 2017
    November 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    October 2016
    May 2015
    May 2014
    September 2013

    Categories

    All

    RSS Feed

About Us                      Buy Flutes                         Resources
Music                             Articles                               Blog
Contact
Wind Weaver
Unless otherwise noted, all content is copyright, 2006 forward to Terry Mack any respective Authors. All Rights Reserved